Tom O’Halloran leads his own original jazz piano trio outfit and conducts orchestras from time to time, composes experimental music, and plays analogue synthesizers. In 2016 he won the Best Jazz Artist award from WAM, in 2012 was nominated for an APRA Australian Art Music award and in 2011 was a finalist in the Freedman Foundation Jazz Fellowship – where he was featured at the Sydney Opera House.
Tom has just been commissioned to compose music for the IN-SITU 2017 season; a site-specific dance piece to be held at St. Georges Cathedral, Perth.
2017 will also see the band My Name Is Nobody release a debut album at the 2017 Perth International Jazz Festival. This is an unusual but particularly melodic and listenable trio comprised of Lucky Oceans (pedal- steel guitar) and Ben Vanderwal (drums) and Tom O’Halloran on piano and synthesizers.
In 2016 Tom released an album entitled Now Noise – for his group Memory of Elements (MoE). He also received an Australia Council grant to compose and develop the work. MoE is a constant project, and is comprised of Jamie Oehlers (saxophone), Carl Mackey (saxophone), Simon Jeans (guitar), Pete Jeavons (bass) and Ben Vanderwal (drums). They performed at the 2011 Wangaratta Jazz Festival, completed a national tour, and have a previously released self-titled album on the Jazzhead label.
Tom has two jazz piano trio records to his name, released through the Sydney based Jazzgroove Records label. His album We Happy Few won the 2009 Australian Broadcasting Corporation (ABC) Limelight Magazine award for best jazz achievement. Tom regularly tours Australia with this group comprised of Peter Jeavons (double bass) and Daniel Susnjar (drums). Together they have played large venues like the Sydney Opera House and The Promethean Theatre (Adelaide), and also the best jazz clubs in the country – including 505 and The Basement (Sydney), Bennett’s Lane and Paris Cat (Melbourne), and The Ellington Jazz Club (Perth).
Tom was a member of the successful Perth nu-jazz group VOID, that played live every week for about 4 years, toured extensively and released a CD recording and live DVD entitled Say When.
He has appeared with high caliber jazz artists from the USA including bassist Robert Hurst, Walter Smith III and Peter Bernstein. He regularly collaborates with many Australian musicians; the caliber of James Muller, Simon Barker, Andrew Gander, Kristen Berardi, Phil Slater, Cameron Undy and 20th Century Dog, Dan Barnett, George Washingmachine – and has performed at other Australian jazz festivals including the Melbourne Jazz Festival, Newcastle, York (WA), Manly and Coolah Jazz Festivals.
Tom has appeared overseas at the 2017 IP Jazz Festival in Malaysia, Houston International Jazz Festival, the IAJE festival in New York, Villa Celimontana in Italy, Dubai, UAE and club dates in New Zealand.
He has composed two multi-piano pieces; Dissolve, for two pianos, and Drumkit (for six pianos). These explored his hunger for musical interruption and chromatic saturation within his composing, synthesised with jazz interaction and improvisation.
When living in Sydney, Tom formed the new band Soundgun, comprised of Jonathan Zwartz (double-bass) and Evan Mannell (drums). They also debuted the group at the Wangaratta Jazz Festival in 2008, and have released a self-titled CD, which was also broadcast for ABC Jazz Radio and online.
He plays a myriad of styles, and arranged all the music for the concert series JONI – a Joni Mitchell tribute that was staged at the Sydney Opera House, Melbourne and Brisbane, starring Katie Noonan and Wendy Matthews. He has also worked with other industry greats such as Pete Murray (Sony), James Morrison, singers Tina Harrod, Ilan Kidron (Potbellez, Universal), Rachel Beck, Max Sharam, Geoff Duff, Josh Quong-Tart, Hugo Race, David Campbell, Deni Hines, Mark Sholtez and Rick Robertson (DIG).
Tom O’Halloran leads the Jazz Piano department at the Western Australian Academy of Performing Arts (WAAPA) at Edith Cowan University, and also lectures in jazz composition and improvisation. He is a regularly commissioned composer, and currently holds a Master of Music in classical composition from the Sydney Conservatorium of Music and a Bachelor of Music (Jazz Performance) from WAAPA. His Future research interests are: hybridity within jazz works, multi-disciplined approaches, technology and moving image within jazz, and integrating bitonality within jazz improvisation and composition.